Sharon’s Tutorial 26th April
This was the first time Sharon has seen all of my images and
so I was a bit nervous of what her reaction would be as I now have very little
time to reshoot if there are any huge problems. However Sharon was very pleased
to see me and was excited to see my work which made me feel more positive about
showing her.
Sharon suggested cutting down the number of images I use
from each photoshoot and take a more quality over quantity approach so that
only the very best images are shown. I think this is the right thing to do
because at the moment the weaker images detract from the stronger ones and also
there are a lot of images with similar model poses. I think I just threw loads
of images onto the site thinking more content would make it look better when
actually this is not the case and more careful image selection would improve
the quality of the site. Sharon said that if I am concern about not having
enough diversity in my images I could use more editing techniques to make the
different sets of images look less like one another. For example changing some
of them into black and white could help make the images look more striking. Also Sharon felt that some of the images needed to
look darker and have more shadows in them to reflect the mood of the stories
and to make them look a bit more mysterious.
Sharon agreed that doing the site in German as well as
English was not needed and it would not make the site any more appealing to my
target audience by having the German version. Also in terms of layout she said
my images need to be shown bigger and have the option to go full screen so that
they have as much of an impact as possible which I think is defiantly true as
it will allow the viewer to see more of the details in my work. I mentioned to
Sharon the idea Sebastiane had about using art to fully tell the stories and
Sharon thought this would be good to experiment wit and told me to look at the
work of John Galliano who buried one of his collections in order to age it as
inspiration for my work.
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